I have been copping out, in a way, by using conté crayons, much like charcoal but less mess on the floor, allowing you to fuzz up and erase. Last week I could not find my box of tricky drawing stuff so I went out with paper and B4 pencil and discovered that I could find lines and could show light and shade and also, I think, mood.
The model was young and appropriately apprehensive, modelling for the first time. I could not quite catch the broad softness (and underlying strength) of a young face but I did catch her mood, I think. Her eyes - deep, dark, large - were almost constantly on the move and she chewed the inside of her lip, a full lower lip with a ring in it. How to represent the restless energy and emotion of such movement?
I am also trying not just to draw known features but light and shade, to approach minimalism.
Huh! When I edit this blog entry, Google (as it does with gmail) displays ads like "How to draw eyes." I remain happily uninstructed. I am attending a life drawing group, not a class. There is a freedom in being uninstructed. I do not know how I draw what I draw. I am constantly surprised at things that appear in front of me. If the artist does not know what he is doing (as Fellini maintained and I agree) do I want someone to tell me her/his ideas of what I am or should be doing? Much of the value, for me, in drawing, is in the struggle to produce: the birthing process, as well as the surprising baby. So exciting to discover this emerging on the page...
This is one of four drawings from a 15 minute pose. 15 minutes is a huge length of time when you look for the essence... and it's a huge time if you want to muck something up, not knowing when to stop.