I wrote on 9 November that I had gone into a bedroom to consider what colour to paint the walls but had strangely carried with me not any colour samples or pots of colour but a piece of charcoal. I had duly reported to Helen abashedly saying here, I did this but I'll paint over it. To which she replied no you will not paint over it you will finish the job.
So I have finished Escape from Jervis Bay in charcoal and 'natural paint'. Taken some courage, actually. The theatre-screen-ish drapes are from a Lebanese home via eBay, the accompanying drop curtains have gone to charity shop. Interesting to find that the heavily-flower-patterned Moygashel Irish linen main curtains work very well with the strength of this painted wall. It's not just been a need for courage to put the figures so boldly onto the wall, but also the challenge of the strength of this paint job relative to the rest of the room. Interestingly with this strong treatment of two walls a large nude photo of Margaret from 1977 looks now very isolated on the opposite wall. Must add to that wall, photos not mural. (I have accumulated dozens of picture frames from charity shops and the A3 colour laser machine is producing lovely images.
at last I realised that a creative moment didn't mean having to set up or join a committee ... ... how nice!
22 December 2010
bedroom mural: "Escape from Jervis Bay"
Labels:
charcoal,
mural,
natural paint,
novel
17 December 2010
Art by the Sea
I have four paintings and the three panelled screen in the Art by the Sea group show at the Lady Denman Museum in Huskisson, 18 December-16 January. In a note hung with the screen, I said I had put a catalogue of other work at aplaceof.info - So I've done an artist's statement with some works for sale, here.
There is a great variety of work in the exhibition, wonderfully arranged on the walls at the Denman art space by Judy and John Brown. This a smudgy iphone photo from the opening by Helen Nugent.
This photo taken at home shows how the screen is set up in boudoir mode...
There is a great variety of work in the exhibition, wonderfully arranged on the walls at the Denman art space by Judy and John Brown. This a smudgy iphone photo from the opening by Helen Nugent.
This photo taken at home shows how the screen is set up in boudoir mode...
01 December 2010
Liz - short work
Click to see at Daily Science Fiction!
Begins thus:
Begins thus:
Dear Ms. Moon
by Liz Argall
Dear Mr. Moon Man or Ms. Moon Lady,
I would like very much for gravity to continue to suck or pull or whatever it does, but if you could do so with just a bit more nuance I would be very grateful.
Labels:
Dear Ms Moon,
Liz,
science fiction
Writing - Wikileaks
I was pleased to see the New York Times selected a quick little comment of mine as the highlight among 892 comments first day or so of publication by them of extracts from the Wikileaks revealed US diplomatic cables.
In case that link goes astray, here is my comment (I have corrected spelling of Harlod to Harold here):
In case that link goes astray, here is my comment (I have corrected spelling of Harlod to Harold here):
HIGHLIGHT (what's this?)
Dennis Argall
Australia
November 29th, 2010
5:31 pm
As a former Australian foreign service officer, accustomed in the past to working closely with US foreign service officers, often sharing each other's cables, I have enjoyed reading cables you released on 28 November. While my government has been doing the obligatory tut-tut, as a private citizen now I believe that the exposure of these texts in this way will redound to US benefit.
It will not hurt those mentioned to hear what is thought of them, especially when State is not guilty of saying it publicly. It will not hurt others to know your officials are hard to fool.
It will be to the general good for the public, including journalists and academics, to see the quality and insight of diplomatic traffic. There is a serious problem in academic as well as media discussion in that so much of it is divined and theorised from inadequate peripheral information. Now it is possible to see how officials build policy and strategy layer by layer, in dialogue with their own government and officials of others.
Do be conscious, in reading it all, though, of the observation of the late Sir Harold Nicholson, doyen of the UK foreign service and writer on diplomacy, that in all the foreign ministry documents in all the world that he had seen, he had never seen a record of conversation in which the person taking the record did not win.
Be open at the Times to fresh perspectives on US power - you suggest the US has lined up Arab states on Iran but it is possible also to see a USA being played like a trout by very powerful and smart Arabs.
If this information elevates debate on the issues, if there is any increased respect for the business of diplomacy, that will be good, for the US and the rest of us. The role of the US in the world is not being 'challenged' so much as being changed and reduced, quite rapidly. More than ever before, it is not possible for the US to say 'this is my role' any more than it is possible to retreat to isolation and indignation. There are real jobs to be done, which cannot be done by people drunk on tea.
Labels:
diplomacy,
New York Times,
wikileaks
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