evolutions

I do expect my work to continue to change.

Here I had gone in a short space from general drawing to landscape in which female forms instantly became evident, to placing the nude in the landscape.. then the landscape disappeared and the business of human form took over, largely with charcoal. With charcoal or acrylic, I might make the all-important line with the instrument, but develop texture and shading with the hand, the primary organ of engagement with human form. In this case another modest back view (the line as pure as possible, this a one minute sketch) and a table painted as "Fallen Woman"