I caught part of this lovely program with and about Joni Mitchell, inspiration, in my mind, of much of what is poetry and clarity in modern music.
Three things to note:
- JM spoke of the demands on the performing artist, versus the painter. Nobody, she said, ever called out to van Gogh, "hey Vincent, do x again for us!" True. But then the painter in general suffers a different angst (I have begun to understand in recent times), that of creating children who then are sold to strangers, or at the least to people who do not really understand their birth. With one painting away to the slave market... I only just know this directly. When does one pass to factory mode of thinking? Perhaps the writer has it easiest, of not needing to let go...
- JM spoke of how she resisted demands of the industry to stay within genre, stay with her fans, not develop what she wanted to say. So important, if you want to be other than a factory;
- JM spoke of her concept of 'crop rotation' - of her need to move between painting and poetry and back again, for her brain's sake. This I understand very well, and I alsoinclude the permaculture garden in the backyard in the rotation in my head, a garden in which profuse nature is allowed a fairly free rein, providing many lessons and opportunities for observation, discovery; gasping with delight and amusement.
view from my studio workspace, into very young garden, including Helen's chocolate labrador, George, dozing in parsley sunshine